Here are text versions of some of my favourite stories. They are not necessarily the version as you may have heard me tell a particular story.
I don’t memorise stories by rote, but tell them off the top of my head and the bottom of my heart (as Canadian teller Max Tell inspired me to do.) It’s up to you to decide how to tell a story in a way that suits you.
Writing out a tale that’s to be told orally is a tricky thing -
There’s often a lot of repetition and redundancy in a folktale, which works wonderfully in the telling, but gets tiresome to read and reread on the page. Written versions need to supply the details which the teller can provide through gesture, facial expression or intonation. For example, writers use lots of synonyms for said (pleaded, demanded, sighed, whispered, insisted) but tellers convey that through the way they say the dialogue. It’s similar to a good picture book: you can’t just read the story to your child without sharing the pictures, as the text isn’t complete (or sufficient) without them.
So if you’re looking to re-
I’ve listed my go-
All traditional stories are in the public domain, so you don’t have to worry about copyright. Since you’ll be re-
As a courtesy, if you tell in public, it’s nice if you share where you heard the story first.
If you want to hear more stories, then I encourage you to check out what Story Connection is offering. It organises quarterly sessions at the Enabling Village, as well as the annual Story Carnival there’
Story Connection also manages the 398.2 Storytelling Festival, which celebrates its 6th year in 2020. It is a free celebration of the strength and diversity of our local storytelling community.
The Federation of Asian Storytellers organises quarterly on-
Your story may not have
such a happy beginning,
but that doesn’t make you who you are,
it is the rest of your story,
who you choose to be.
Soothsayer, Kung Fu Panda 2
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